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The Duchess of Malfi (2014)

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Playwright: John Webster
Directed by: Dominic Dromgoole

The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their spy, Bosola, discovers that the Duchess has secretly married and carries Antonio’s child, they exact a terrible and horrific revenge.

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The Flying Lovers of Vitebsk (2016)

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Playwright: Daniel Jamieson
Directed by: Emma Rice

Daniel Jamieson’s The Flying Lovers of Vitebsk traces this young couple as they navigate the Pogroms, the Russian Revolution, and each other. This magical production is drawn in a theatrical language as fluid as Chagall’s paintings, and woven throughout with music and dance inspired by the Russian Jewish tradition.

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The Frontline (2009)

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Playwright: Ché Walker
Directed by: Matthew Dunster

God, strip bars, weed, crack, lost old men, unemployed actors and vegans all collide in a riptide of chaos on the streets of London.

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The Frontline (2008)

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Playwright: Ché Walker
Directed by: Matthew Dunster

God, strip bars, weed, crack, lost old men, unemployed actors and vegans all collide in a riptide of chaos on the streets of London.

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The Globe Mysteries (2011)

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Playwright: Tony Harrison
Directed by: Deborah Bruce

The Globe Mysteries celebrate the spirit of medieval street theatre and take a fresh and contemporary look at The Mystery Plays as one of the most important influences on theatre.

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The God Of Soho (2011)

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Playwright: Chris Hannan
Directed by: Raz Shaw

As bracingly modern as Che Walker’s The Frontline, which thrilled Globe audiences in 2008 and 2009, The God of Soho is not for the faint-hearted. Bursting with dirty language and filthy content.

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The Golden Ass (2002)

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Playwright: Peter Oswald
Directed by: Tim Carroll

Based on the story that C.S. Lewis called ‘a strange compound of picaresque novel, horror comic, mystagogue’s tract, pornography and stylistic experiment.’

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The Heresy of Love (2015)

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Playwright: Helen Edmundson
Directed by: John Dove

Inspired by the life of Sor Juana Inés de la Cruz, writer of The House of Desires, The Heresy of Love uses all the devices of Spanish Golden Age Theatre – intrigue and danger, passion and politics, comedy and tragedy – in this clash between organised religion and personal faith.

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