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The Knight of the Burning Pestle (2014)

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Playwright: Francis Beaumont
Directed by: Adele Thomas

Combining salty colloquial prose with charming songs, The Knight of the Burning Pestle was one of the first madcap, mash-up, screwball comedies to hit the English stage and the first to run not one but two plays within-the-play simultaneously.

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The Honest Whore (1998)

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Playwright: Thomas Dekker (with Thomas Middleton)
Directed by: Jack Shepherd

The Honest Whore was written in two parts and the total running time was somewhere in the region of seven hours! In this version, Mark Rylance and Jack Shepherd have conflated the plays into one.

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The Golden Ass (2002)

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Playwright: Peter Oswald
Directed by: Tim Carroll

Based on the story that C.S. Lewis called ‘a strange compound of picaresque novel, horror comic, mystagogue’s tract, pornography and stylistic experiment.’

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The God Of Soho (2011)

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Playwright: Chris Hannan
Directed by: Raz Shaw

As bracingly modern as Che Walker’s The Frontline, which thrilled Globe audiences in 2008 and 2009, The God of Soho is not for the faint-hearted. Bursting with dirty language and filthy content.

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The Globe Mysteries (2011)

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Playwright: Tony Harrison
Directed by: Deborah Bruce

The Globe Mysteries celebrate the spirit of medieval street theatre and take a fresh and contemporary look at The Mystery Plays as one of the most important influences on theatre.

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The Frontline (2009)

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Playwright: Ché Walker
Directed by: Matthew Dunster

God, strip bars, weed, crack, lost old men, unemployed actors and vegans all collide in a riptide of chaos on the streets of London.

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The Frontline (2008)

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Playwright: Ché Walker
Directed by: Matthew Dunster

God, strip bars, weed, crack, lost old men, unemployed actors and vegans all collide in a riptide of chaos on the streets of London.

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The Duchess of Malfi (2014)

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Playwright: John Webster
Directed by: Dominic Dromgoole

The widowed Duchess of Malfi longs to marry her lover, the steward Antonio. But her rancorous brothers, Ferdinand and the Cardinal, are implacably opposed to the match. When their spy, Bosola, discovers that the Duchess has secretly married and carries Antonio’s child, they exact a terrible and horrific revenge.

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