Shakespeare's Globe

RSS Rehearsal Notes 1

This is Laura's first blog post. This week she discusses how she became an actress, her previous experience of Shakespeare and the experience of performing at the Globe.

Transcript of Podcast

Becoming an actor

First I wanted to be a dancer, and gradually I started enjoying the other bits - the smiling and things I did with my face - as much as the dancing. I was in a pantomime when I was 9, in Northampton where I grew up. Then, when I was about 10, I was in a youth theatre production of Bugsy Malone. My sister was in the youth theatre, and she didn’t really want me to join, but they didn’t have enough people, so I joined. When I was about 14 I started having acting lessons with a professional actress, and she was ever so important to me. In some ways I wanted to be like her. That was the moment really. I had planned to go to dance school when I was 16, but I started to think Drama school would be better, so I stayed on at school for another two years because you don’t go to drama school until you are 18.


I have done quite a bit of Shakespeare in the five years since I left drama school, including playing Ophelia and Juliet. I was in a production of The Tempest that only had two actors so I played Miranda and Ariel and Trinculo and others in that all at the same time. I was Marina in Pericles at the Globe last year. Quite a lot of the work that I’ve done has been classical.

Working at the Globe

Working at the Globe last year was special. In other theatres you don’t get wet when it rains! Seriously, having people all around you and being able to see them is a big thing. When I did a play in an ordinary theatre afterwards I felt something was missing with this big dark space. You get so much feedback from the audience, and you can share special moments with them. Of course sometimes you notice the person who is looking really bored, or who is searching through their bag. You always notice the people who faint and you have to decide whether to acknowledge it or just to carry on and leave the stewards doing their job. You have to be quite disciplined. There are really powerful moments when everyone is utterly quiet and still. Last year playing Marina at an evening performance in one of those still moments I said:

O, that the gods
Would set me free from this unhallow'd place,
Though they did change me to the meanest bird
That flies i' the purer air!

And just as I’d said it this really big dirty pigeon flew right across the stage. It was special, and shared with everybody, and unique.

These comments are the actor's thoughts or ideas about the part as s/he goes through the rehearsal process – they are simply his/her own interpretations and frequently change as the rehearsal process progresses.

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