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‘A beautiful and literate reclamation of a masterpiece of the early modern stage, more complex and involved than the vast majority of fully realised productions I’ve seen lately, and hysterically funny to boot.’

Dr Peter Kirwan reviews Read Not Dead, The Bardathon, February 2013

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Read Not Dead

The Read Not Dead ground rules are simple. Actors are given the play on a Sunday morning and present it, script in hand, to an audience later that afternoon. What follows is a shared spirit of adventure and excitement for actors and audiences alike who sense that they might be uncovering a neglected gem.

In the Playhouse