Join us for a very special tale telling, spoken word, poetry extravaganza.
We have invited not one, not two, but three incredible poets to celebrate the wonder of words and the power of our imagination.
Performing some of their favourite poems, poets Joseph Coelho, Kate Wakeling and Victoria Adukwei Bulley will be exploring the themes of home, belonging, our connection to nature and world around us, where ideas come from and how we can free our imaginations!
Age guidance: 8+
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Kate is an award-winning poet with a wealth of experience working with children. Her debut collection of children’s poetry, Moon Juice, won the 2017 CLiPPA prize and was nominated for the 2018 CILIP Carnegie Medal. Kate loves performing her poems for children and families, and recent appearances include the Imagine Festival at Southbank Centre, the Cheltenham Literature Festival and the Poetry and Lyrics Festival at Kings Place. Kate’s storytelling concerts for Aurora Orchestra and chamber ensemble TROUPE have been performed all over the world, including at the Southbank Centre, Wigmore Hall, the bOing! Festival, the Melbourne Festival, the Festival Sesc de Música de Câmara in Brazil and on BBC Radio 3. Kate is a longstanding champion of guinea pigs and an enthusiastic player of Balinese gamelan music.
Photo Credit: Tom Weller
I grew up in the last village in London, Roehampton and grew up in a tower block with my mum and little sister. I don’t recall wanting to be a writer when I was little – to be honest I don’t think it ever occurred to me that I could be a writer. Writers were special people who existed elsewhere in other far off places – they didn’t exist in Roehampton. But I do remember sitting with a copy of Fungus The Bogey Man by Raymond Briggs and copying the pictures and writing out my own story with large loopy letters so I guess the love of writing was there despite not being able to really read or write properly until I was seven years of age.
My earliest memory of writing a poem is from when I was in secondary school in year eight. There was a poetry competition. I wrote a poem about the life of a performing bear, chained and made to dance. I no longer have the poem but I do know that it had the best title I’ve ever dreamt up, it was titled “Unbearable” alas the judges were not that impressed and I did not win but still I wrote. I wrote poems about how I was feeling, poems about life at school, angry poems, sad poems, funny poems and sometimes I’d nervously share those poems in my drama class.
At university I studied archaeology (the study of the physical past) basically I dug up bones in Peru for a couple of years which was lots of fun but still I wrote poems and started directing and writing plays.
After university I worked everywhere and did everything – I was a gym instructor, a salesman, a film extra (see if you can spot me in Agent Cody Banks 2 – I’m in a suit in a queue and bald) and even had a spell as a transport planner but still I wrote.
One day I discovered a performance poetry course at Battersea Arts Centre being run by Performance Poetry Organisation Apples and Snakes. I wrote poems and shared them on stage, some of the poems made people laugh and I was asked to share my poems in schools. Many years passed running creative writing workshops in schools writing plays for theatres and slowly I began to dream about being a published writer. I spent many more years performing my poems wherever I could and even managed to have some poems published in some anthologies by Macmillan books. Then in 2012 I met Janetta Otter-Barry at the London Book Fair and showed her some of my poems. She agreed to publish them and my very first poetry collection Werewolf Club Rules was published in 2014 and I’ve been steadily writing and performing ever since.
Photo Credit: KT Bruce
Victoria Adukwei Bulley
Victoria Adukwei Bulley is a poet, writer and filmmaker. A former Barbican Young Poet, her work has appeared variously in publications including The Poetry Review, in addition to featuring on BBC Radio 4 Woman’s Hour. She won a Society of Authors Eric Gregory Award in 2018, and has held residencies internationally in the US, Brazil, and the V&A Museum in London. Victoria is the director of MOTHER TONGUES, an intergenerational poetry, film and translation project supported by Arts Council England and Autograph. She is a Complete Works Poetry and Instituto Sacatar fellow, and sits on the advisory board of the Poetry Translation Centre. Her debut pamphlet is Girl B.
Victoria also facilitates creative workshops, and is interested in community-centric projects that stretch literature across genres, art forms, and cultures.