Sabia Smith studied Costume Construction and Supervision at The Royal Academy of Dramatic Art. 

Theatre and Opera credits include: Ulster American (Second Half Productions); Next to Normal; Love and Other Acts of Violence (Donmar Warehouse); Robin Hood (Regent’s Park); Midsummer Night’s Dream; Hakawatis; Midsummer Mechanicals (Shakespeare’s Globe); The Inquiry (Chichester Festival Theatre); The Marriage of Figaro (Royal Academy of Music); Message in a Bottle (Sadler’s Wells and Universal Music); God’s of the Game: A Football Opera; La Gioconda; The Life and Death of Alexander Litvinenko; Falstaff; Don Carlos (Grange Park Opera); Favour (Bush Theatre); The Marriage of Figaro (The Royal Academy of Music) Anne of Green Gables (London Children’s Ballet); The Magic Flute (The Royal College of Music); Noises Off! (Playful Productions and the Lyric Hammersmith); WhoDunnit [Unrehearsed] (Park Theatre); Zauberland (Theatres des Bouffes du Nord; The Royal Opera House; La Monnaie/De Munt, Bruxelles; Opéra de Lille; The Lincoln Center for the Performing Arts; Opéra de Rouen Normandie); The American Clock (Old Vic); Twelfth Night (Watermill Theatre and Wilton’s Music Hall); We’re Stuck! (China Plate & Shoreditch Town Hall). 

TV and film credits include: Gods of the Game: A Football Opera (Sky Arts); NewsHub commercial and Nation Down.