All's Well That Ends Well
Inside the Sam Wanamaker Playhouse, uncover a twisted tale of obsession, game-playing and deception in Shakespeare’s ruthless thriller, All’s Well That Ends Well.
When Helen cures the dying King, he grants her one wish: to choose any man she wants for her husband. Rejected by the man she’s always loved, Helen sets out to get him, by whatever means necessary.
When it comes to love, where do you draw the line?
Chelsea Walker (Visit from an Unknown Woman, Hampstead) makes her Globe directorial debut bringing Shakespeare’s rarely performed exploration of class, sexuality and gender to London’s only candlelit theatre.
‘Love all, trust a few, do wrong to none’
Act 1, Scene 1
Content guidance: This play contains scenes of sexual assault and physical violence, and themes of classism, misogyny, and homophobia.
DETAILS
TICKETS
Galleries (Seated) £75-£25
Standing £10, £5
This event is on-site in the Sam Wanamaker Playhouse
Running time 2 hours 15 minutes (including an interval)
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Terms and conditions
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Photography: Phil Fisk
Art Direction: Kim Garrity and Studio Doug
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Reviews (2024)
★★★★
‘A delightful moral maze’
DAILY MAIL
★★★★
‘Sleek, smart and poised’
THE GUARDIAN
★★★★
‘Highly amusing and incredibly zippy’
TIME OUT
★★★★
‘Crisp, spirited and enlightening’
LONDON THEATRE
‘Zestfully and persuasively played’
THE TIMES
★★★★
‘Sharp and snappy’
THE STAGE
‘Brisk, brutal and delightfully succinct’
EVENING STANDARD
Photos & Videos
THE COMPANY
Assistant Director
Sofia Gallucci
Candlelight Designer
Bethany Gupwell
Casting Director
Becky Paris CDG
Co-Costume Designer and Costume Supervisor
Megan Rarity
Composer
Simon Slater
Director
Chelsea Walker
Fight Director
Kevin McCurdy
Globe Access Lead
David Deacon
Intimacy Director
Lucy Fennell
Movement Director
Michela Meazza
Movement, Globe Associate
Glynn MacDonald
Set Designer and Co-Costume Designer
Rosanna Vize
Voice & Text
Annemette Verspeak
Wellbeing Lead
Adam Bamborough
Cello
Meera Raja
Guitar
Ashley Blasse
Musical Director / Percussion
Louise Duggan
Soprano
Angela Hicks
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ACCESS
Our Access Scheme offers additional information on suitable seating, and adjusted ticket pricing for audience members with access needs.
Explore the assisted performances for this event below. We also provide Access Resources for Audio Described and Relaxed performances. These will be added in time for the first of each of those access performances and will be available for all performances after that date.
Assisted Performances for All’s Well That Ends Well
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Captioned Performances
Show dates & times